{"id":3240,"date":"2014-01-29T08:31:16","date_gmt":"2014-01-29T13:31:16","guid":{"rendered":"http:\/\/www.old.caraghobrien.com\/book\/?p=3240"},"modified":"2014-01-29T08:35:50","modified_gmt":"2014-01-29T13:35:50","slug":"playing-and-puzzling-in-1st-person","status":"publish","type":"post","link":"https:\/\/www.caraghobrien.com\/book\/writing\/playing-and-puzzling-in-1st-person\/","title":{"rendered":"Playing and Puzzling in 1st Person"},"content":{"rendered":"<p><!--[if gte mso 9]><xml>\n<o:DocumentProperties>\n<o:Template>Normal<\/o:Template>\n<o:Revision>0<\/o:Revision>\n<o:TotalTime>0<\/o:TotalTime>\n<o:Pages>1<\/o:Pages>\n<o:Words>371<\/o:Words>\n<o:Characters>2115<\/o:Characters>\n<o:Company>university of connecticut<\/o:Company>\n<o:Lines>17<\/o:Lines>\n<o:Paragraphs>4<\/o:Paragraphs>\n<o:CharactersWithSpaces>2597<\/o:CharactersWithSpaces>\n<o:Version>11.1539<\/o:Version>\n<\/o:DocumentProperties>\n<o:OfficeDocumentSettings>\n<o:AllowPNG\/>\n<\/o:OfficeDocumentSettings>\n<\/xml><![endif]--><!--[if gte mso 9]><xml>\n<w:WordDocument>\n<w:Zoom>0<\/w:Zoom>\n<w:DoNotShowRevisions\/>\n<w:DoNotPrintRevisions\/>\n<w:DisplayHorizontalDrawingGridEvery>0<\/w:DisplayHorizontalDrawingGridEvery>\n<w:DisplayVerticalDrawingGridEvery>0<\/w:DisplayVerticalDrawingGridEvery>\n<w:UseMarginsForDrawingGridOrigin\/>\n<\/w:WordDocument>\n<\/xml><![endif]--><\/p>\n<p><!--StartFragment--><\/p>\n<div id=\"attachment_3242\" style=\"width: 260px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3242\" class=\"size-full wp-image-3242\" alt=\"Perspective Matters\" src=\"https:\/\/www.caraghobrien.com\/book\/wp-content\/uploads\/2014\/01\/SkyFish.jpg\" width=\"250\" height=\"172\" \/><p id=\"caption-attachment-3242\" class=\"wp-caption-text\">Perspective Matters<\/p><\/div>\n<p class=\"MsoNormal\">A lot of current YA lit is written in 1<sup>st<\/sup> person and present tense for good reason.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Immediacy is created when we\u2019re living the story minute-by-minute, straight through the thought process of a teen protagonist.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Best of all, knowing how she thinks helps us readers to know her well.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>When we can experience her fears, humor, and loneliness right along with her, it\u2019s easy to sympathize with her.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>It\u2019s also agonizing when she\u2019s making a mistake.<\/p>\n<p class=\"MsoNormal\">Though my last project, the <em>Birthmarked<\/em> Trilogy, was in 3<sup>rd<\/sup> person, which completely suited the story, my new novel is in 1st person, and I\u2019m finding the P.O.V. to be a fascinating challenge.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I feel incredibly close to my main character, Rosie.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I\u2019ve spent over a year thinking like her on the page, observing the world through her particularly astute, imaginative eyes.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span><\/p>\n<p class=\"MsoNormal\">I\u2019ve also been severely limited by what she does not know about her world, and it has been a puzzling struggle to find ways to convey to the reader any information beyond what Rosie herself can see and comprehend.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>This interplay between what Rosie the character knows and what I know as the writer has been integral to the generation of the novel, and much of the time, I\u2019ve felt like I\u2019m on both sides of a wall where half of me is concealing info and the other half of me is trying to discover it.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>More than once I\u2019ve told my editor that if I could figure out a way to explain it all, I would.<\/p>\n<p class=\"MsoNormal\">Then there\u2019s the issue of voice.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I\u2019m not fifteen.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I\u2019m not living in the future.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I need a voice for Rosie that feels rich and lively to YA readers today, and for that, I&#8217;ve had to dig deep.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>One resource I have to tap is the pile of journals I kept, beginning at age twelve.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Rereading one lately, I was astounded to find how much I sounded like myself.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Young Caragh can\u2019t be summed up simply, but I can tell you she\/I was articulate, loving, lively, observant, earnest, idealistic, and ironic.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>That authentic example of a young voice, my own, makes me believe a person\u2019s interior voice is fairly consistent as she ages.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>In fact, I\u2019d say age is a much smaller component of personality than other factors, and with that permission settled for me, I&#8217;m not overly focused on making her &#8220;young.&#8221; \u00a0Instead, I\u2019m happily exploring Rosie\u2019s voice, from what she thinks to the tempo of her words.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span><\/p>\n<p class=\"MsoNormal\">I love how Rosie never apologizes to herself.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I love how she\u2019s smart and powerful and sometimes oddly brittle.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I love when she lies and the reader can see the inconsistency between what she thinks and what comes out of her mouth.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>That\u2019s a first person character to play with.<\/p>\n<p><!--EndFragment--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A lot of current YA lit is written in 1st person and present tense for good reason.\u00a0 Immediacy is created when we\u2019re living the story minute-by-minute, straight through the thought process of a teen protagonist.\u00a0 Best of all, knowing how she thinks helps us readers to know her well.\u00a0 When we can experience her fears, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,3],"tags":[246,37],"class_list":["post-3240","post","type-post","status-publish","format-standard","hentry","category-miscellaneous","category-writing","tag-project-next","tag-writing-2"],"_links":{"self":[{"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/posts\/3240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/comments?post=3240"}],"version-history":[{"count":13,"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/posts\/3240\/revisions"}],"predecessor-version":[{"id":3251,"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/posts\/3240\/revisions\/3251"}],"wp:attachment":[{"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/media?parent=3240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/categories?post=3240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.caraghobrien.com\/book\/wp-json\/wp\/v2\/tags?post=3240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}